Gallery

I started making mezzotints in 1987, where I learned the technique during a graphic art symposium in Hungaria. Ever since I have increasingly specialized more in this beautiful black magic art (maniere noir) making my own images looming out of the dark.

mezzotint

(1992 - 2025)

I started making mezzotints in 1987, where I learned the technique during a graphic art symposium in Hungaria. Ever since I have increasingly specialized more in this beautiful black magic art (maniere noir) making my own images looming out of the dark.
Small mezzotints mainly 10 x 10 sizes

small mezzotints

(1996 - 2023)

Small mezzotints mainly 10 x 10 sizes
Huge prints, usually not printed in edition.

Large prints and projects

(2000 - 2021)

Huge prints, usually not printed in edition.
Artist books. Some just for the fun of making books, some with a clear theme. Using various printmaking techniques. All unique pieces, not in edition!

Artist books

(2010 - 2024)

Artist books. Some just for the fun of making books, some with a clear theme. Using various printmaking techniques. All unique pieces, not in edition!
3 dimensional object made of 6 parts that form a ´pool´ when put together. Made of 6 woodprints.

Dreampool

(2007 - 2021)

3 dimensional object made of 6 parts that form a ´pool´ when put together. Made of 6 woodprints.
Linocut printed as triptic. Glued on aluminium. Rhytm and repetition are the theme.

linocut op alu

(2012 - 2015)

Linocut printed as triptic. Glued on aluminium. Rhytm and repetition are the theme.
Serial photo-etchings, combined with drypoint. All of them unique prints. Made after pictures taken in Greece, sumer 2012. Thalassa means sea in Greek.

Thalassa 2012

(2012)

Serial photo-etchings, combined with drypoint. All of them unique prints. Made after pictures taken in Greece, sumer 2012. Thalassa means sea in Greek.
Sequence of prints, made in my graphic studio in Cleve (Germany). Combinations of different printing techniques form an interconnection between the different series of work. My fascination for stones, shells, circles, holes and black and light is combined together in these simple printing experiments.

Cleve 2011 mixed media

(2011)

Sequence of prints, made in my graphic studio in Cleve (Germany). Combinations of different printing techniques form an interconnection between the different series of work. My fascination for stones, shells, circles, holes and black and light is combined together in these simple printing experiments.
Prints on demand, prints on books and more

Stints

(1991 - 2019)

Prints on demand, prints on books and more
Drawings of stones, mostly with text.

drawings

(2010)

Drawings of stones, mostly with text.
Floor patern. This work is a compilation of 8 boxes with mirrored mezzotints. It can be placed on the floor in different patterns. The project was time-consuming, it took a full year full-time working on it (scratching and polishing). But it has been traveling around and exhibited in Germany, Greece, Russia and teh Netherlands.

Floorpattern

(1993 - 2019)

Floor patern. This work is a compilation of 8 boxes with mirrored mezzotints. It can be placed on the floor in different patterns. The project was time-consuming, it took a full year full-time working on it (scratching and polishing). But it has been traveling around and exhibited in Germany, Greece, Russia and teh Netherlands.
Digital prints, large size, from stones found during wanderings in nature. Apart from their context they are a world in themselves.

Digital prints

(2006 - 2007)

Digital prints, large size, from stones found during wanderings in nature. Apart from their context they are a world in themselves.
In 2016 I have been invited as Artist in Recidence in Guanlan, China. An inspiring time, in which I could work hard without distraction. During this stay I was able to print 3 new works in full edition, in which perhaps Chinese influences from the kaligraphy are visible. It was a privilege to be able to work in these fantastic circumstances.

Guanlan Printmaking Base 2016

(2016)

In 2016 I have been invited as Artist in Recidence in Guanlan, China. An inspiring time, in which I could work hard without distraction. During this stay I was able to print 3 new works in full edition, in which perhaps Chinese influences from the kaligraphy are visible. It was a privilege to be able to work in these fantastic circumstances.
Woodcuts made during artist in recidency in Printmaking Centre Ilios Neapolis, (Salonica) Greece.

Woodprints, Thessaloniki 2006

(2006)

Woodcuts made during artist in recidency in Printmaking Centre Ilios Neapolis, (Salonica) Greece.